I’m continuing my work producing souvenir sculptures for each city in England. I’ve started adding colour and they seem a lot brighter than my usual work. This feels a bit unnerving, but I’m taking that as a sign that I’m doing something outside of my comfort zone and that it will lead to a more creative result.
I began this process by researching each city, elements of its history, mythology, and heraldry. I then began sketching each object to determine how I might create it in paper. My intention was to do more sketchbook work around the imagery that would be painted on the objects, but I decided to take a more organic approach by working directly onto the sculptures, using a process of appropriation and intuition. Through working in this way, new possibilities arise for this, and future work.
For example, the objects of Bath and Brighton are represented using human figures. I began by painting them bright colours in a similar way to the others. However, I wanted to pull out their features a bit more, so I repainted their faces white. Although I will do more work on these sculptures, I like the effect of the white against the colour so I’m documenting the process to return to later.
One of the finished souvenirs, representing Bradford, takes the story of a wild boar from the Middle Ages, the motif of which is featured on the city’s coat of arms. Using the boar as the object, I then took the image of the brick well and highlighted the shape of the bricks as a reference to the building material of the Industrial North. The design running across the top of the boar’s head reflects the water motif also taken from the city’s coat of arms.
As I am working on each of the sculptures, I have started to see similarities in some of the motifs, therefore they have come to represent both distinct and general aspects of the histories of English cities, to highlight the separate elements of a homogenised country, united through language and government.